The gate of death

The exit used to remove the bodies of fallen gladiators.

The Gate of Death, also known as the „Porta Libitinaria,“ was a somber and crucial part of the Colosseum’s architecture. This exit, located at the western end of the arena, was specifically designed to remove the bodies of gladiators, slaves, and animals who had perished during the brutal games. It served as a stark contrast to the Gate of Life, through which victorious gladiators would exit to the cheers of the crowd. The Gate of Death is a chilling reminder of the harsh realities of Roman entertainment, where the fate of the participants often ended in tragedy. Today, visitors to the Colosseum can view this historic gateway, reflecting on the stark difference between the glory and the grim outcomes of those who fought in the arena.

Wie man dorthin kommt

Colosseo, Piazza del Colosseo, Rome, Metropolitan City of Rome Capital, Italy

Bewertungen

"Seeing the Gate of Death was a powerful experience. It really puts into perspective the darker side of the games that were held here. The guide explained how bodies were carried out of the arena through this gate, and it was chilling to stand in the same spot where so many people met their tragic end. It added a somber tone to our visit but also made us appreciate the history even more." – Lucy, Chicago

"The Gate of Death is a part of the Colosseum that not everyone knows about, but it was one of the most memorable aspects of our visit. It shows a different side of the Colosseum – not just the grandeur and the spectacle, but also the reality of what happened to those who fought there. It was a stark reminder of the human cost of these ancient games." – Tom, Edinburgh

"Walking by the Gate of Death gave me goosebumps. You can almost feel the weight of the history there. It’s not just a door; it’s a symbol of the brutal nature of the gladiatorial contests. Our guide shared some fascinating details about how it was used, and it really helped us understand the complex emotions that the Colosseum evokes – both admiration for its architecture and reflection on its violent past." – Sofia, Buenos Aires